Welcome to my blog!

Hello everyone!
                Welcome to my blog! My name is Erin May and I am currently in my home in Fairbanks, AK.  This is my final semester and I am majoring in biological science and minoring in general business.  I would like to be a taxonomist and would also like to be a lab manager, which I will more likely be able to achieve with the major and minor I have selected.  I have worked in a variety of industries: automotive repairs, fitness, child care, food services, and currently in an ecology lab.
-Erin May

Dragon Pine: Virtuous man

Dragon Pine (approximately late 1400's)

This is ink on a scroll of paper, a drawing created by a priest from China in the late 1400’s.  Wu Boli constructed this detailed work for Zhang Yuchu, a pope during his time.  Its detail and dark curves drew me to it, but I chose it officially when I read that it was symbolic of a virtuous man.  I am not so sure I understand that representation becuause the pine tree seems so gnarled and forbiding.  Generally, in Western artworks dark, curved figures represent evil or warns of it at the very least.  Yet, in 15th century China this “Dragon Pine” stands for age, wisdom, and virtue.  Virtue? Well I may not understand their idea of virtue, but I do love the detail that the ink penwork of Boli has created on this scroll.  This work was created in China where Boli lived out his entire life.

Work Cited:

http://www.metmuseum.org/toah/works-of-art/1984.475.3

 

Chair of Paradise: Surrealism in Africa

Chair of Paradise (1990)

Looking into the Non-Western art world, I found several images of Frida Kahalo, colorful African paintings  and intricate Chinese art layed out before me, yet I kept coming back to  the image posted above.  It looks like something from a dream with its desert-like background and the fact that it is a chair only with human feet instead of a chair’s feet.  It is adorned with a green-striped tie, a single shoe, and a yellow jacket and hat.  So strange…which is exactly why I finally chose this work.  This is a piece by African Kheto Lualuali who is known for his fine artworks.  “Chair of Paradise” is an oil-paint on canvas and one of his earlier works which he painted in 1990 when he dabbled with Surrealist art due to the influence of his friend Chico Mandlate who was inspired by Salvador Dali.  I have no idea why this painting is titled “Chair of Paradise,” but I would love to know.  Lualuali’s web site http://www.africaserver.nl/kheto/ held no clues for me, but it did display a lot of his other works if anyone is interested. 

Work cited:

http://www.africaserver.nl/kheto/

Exhibit: Beauty of Body Paint

Art comes in many forms and is created on numerous types of “canvases.”  One modern-day form of art utilizes paint and a living canvas.  The human body is frequently the subject of art, but this exhibit focuses on the human body, not as the just subject, but as the medium for the true painted subject.  The works of a few artists stand out to me: Danny Setiawan, Evgeny Freeone, and Craig Tracy.

Craig Tracy is an amazing artist and below are a couple of my favorite works by him.

         

His paintings are so detailed and quite impressive.  Though the models are nude, they are portrayed in an artistic, tasteful way.  He is an american artist and unfortunately the locations and dates of many of his works were not posted on any of the sources I could find, including Tracy’s actual web site. However, he does state that a majority of the works were painted in his New Orleans, Louisiana studio/gallery, which he opened in 2006.  The colorful image (bottom, right) of the woman laying on the floor with her back arched is titled “Three Weeks” and I chose this work because I loved the shapes and colors chosen.  The image on the bottom, left that displays a blues, Harlem Renaissance feel is beautifully painted and titled “Quartet” and is one of his only works that had a year attached to it.  Tracy states that the idea of it was construed in 2005, but it was not painted until 2008.  Finally, the last work of his on exhibit (top) is his work called, “Koi.”  It is serene, lovely and again the year it was painted is not posted, but it was created in his New Orleans’ studio.  He almost always only paints a model once and each model is a different model who he describes as becoming a part of his “extended family” after he has painted them.  If you would like to see more of his works I suggest you visit his website: http://craigtracy.com.

This next artist is based in New York, but is originally from Indonesia and is often inspired by the works of other painters.  Danny Setiawan has been body painting for several years now and works to use body painting to further “increase the relevancy of his art” according to his website, http://denartny.com.  My favorite works by him are posted below. 

  

The painted model in the top, left image is an actual tango dancer and painted on her is, “Tango After Fabian Perez” and as the name implies it is based on the works of Fabian Perez.  I enjoy the contrast of the light and dark paints and the body position of the model.  Top, right image is my favorite by Setiawan and is titled, “Before the Storm After Cot.”  I love how the digitally added haze and Romantic Era brushstrokes give it the feel of the model being in a storm.  This work is based on the Romantic painter Cot.  Unlike Craig Tracy, Setiawan implements a lot of digital alterations into the photographs of his works.

Evgeny Freeone is a Russian photographer and body painter and is the final of the exhibit artists.  Often his works are very dark and focus on themes of death, darkness or the Seven Deadly Sins, but those are not my favorite works by him.  My favorites are those below:

 

In the top work “Night City” Freeone uses water to reflect the bright colors of his night city.  I chose this one because I love the rich blue he uses and the city he creates on the model. His work directly below “Night City’ is another wonderful work by Freeone and is called “Meditation.”  As the name states, it is a person meditating with gears painted upon her to represent the process of thought.  She wears a headset to indicate silence.  I enjoy the concept and lighting of “Meditation.”  Lastly, is “Zone” which is the very last image shown.  It shows a woman painted in wild swirls and stripes with equally wild hair sitting on dry, barren ground.  Her shadow holds a great deal of meaning as it is projected directly behind her, but is shaped like a cross despite her body position not matching that.  Behind her is also an old book, possibly meant to be The Bible. 

Titles of works were not posted on his website (www.freeone.ru), but he has been body painting professionally for the past five years in Moscow, Russia, which is where these works were created.  All works had no specific dates, but were created in the last five years.

Cited Sources:

http://www.denartny.com

http://photo.net/photodb/photo?photo_id=6009586

http://body-paint-body-art.blogspot.com/2009/01/evgeny-freeone-full-body-paint.html

http://www.craigtracy.com

http://www.freeone.ru

Salvador Dali and his melting pocket watches

Near the end of World War I, Surrealism came about from the Dada art movement, which was a rejection of tradition and was anti-war.  Surrealism followed the anti-war concept and dismissal of the norm, but unlike Dada art, Surrealists embraced idiosyncrasy and wanted to affect society through their free thinking, dream world works. 

My favorite artist of the early 20th century is the Spanish Surrealist painter Salvador Dali.  His strange, obscure works are fascinating and compel me to wonder what the meaning behind each of Dali’s paintings could be.  One such painting, that many others have also attempted to analyze, is The Persistence of Memory.  At only 9.5 x 13” inches this petite painting created in 1931 by Dali in Catalonia, Spain has captured the thoughts of millions of people around the world.  Its bizarre appearance allows for several different potential meanings, a couple of which I will share.  

 

The Persistence of Memory shows three pocket watches that seem to be “melting” in the peculiar desert landscape and one solid pocket watch overwhelmed with crawling ants.  At the center focal point of the painting is the fetus-like prone  creature. 

The first theory is that the painting represents Albert Einstein’s Theory of Relativity, which basically means that motion is relative and time is linked to velocity and is not unvarying.  The distorted pocket watches symbolize that time can be distorted and is not absolute.

 The second theory that many believe in is that the close-eyed creature laying in the middle is asleep and in a dream state while the pocket watches represent time and by them drooping (melting) it implies that in dreams time is irrelevent.  What is not irrelevent are memories because the landscape and creature are derived from some part of the dreamers subconscious.  The creature in the painting is also said to be a self-representation of Dali, which he has painted in several other paintings including The Great Masturbator (1929) and Spider of the Evening…Hope! (1940).

              (Below, left: Spider of the Evening…Hope!)                                      (Below, right: The Great Masturbator)

                              

 

I personally believe in the latter of the two theories.  When asked about the meaning of this work, Dali is reported to have said that he was inspired by melting camembert cheese left out in the sun. Perhaps that was a joke or perhaps that was the inspiration for the shape of the watches, but it was surely not the meaning of them.  Dali was greatly interested in the dream world and symbolism and it would make sense that the painting was not directly meaning to display the Theory of Relativity.

http://en.wikipedia.org/wiki/Surrealism

http://www.authenticsociety.com/about/ThePersistenceOfMemory_Dali

http://en.wikipedia.org/wiki/Salvador_Dal%C3%AD                                                                                

http://en.wikipedia.org/wiki/The_Persistence_of_Memory

http://en.wikipedia.org/wiki/Theory_of_relativity

 

Impressionism?

Overall, I find Impressionism less aesthetically pleasing then other artistic styles such as Realism and Italian Renaissance art.  I love the beauty and themes seen in Italian Renaissance, specifically Sandro Botticelli’s Birth of Venus and Leonardo da Vinci’s well-known The Mona Lisa

(Botticelli’s Birth of Venus painted in Florence in 1486.  It is telling a story and easily draws me in and holds my interest.)

What I like about Realism art is that many of the works look almost like a photograph due to their accuracy in portraying the truth of their subject’s appearance.  My favorite Realism artworks would have to be the works by Rosa Bonheur, notably Ploughing in the Nivernais, Sheep in the Highlands, and The Horse Fair

 

   (Bonheur’s Ploughing in the Nivernais painted in1855 in France.)

 

      (This is Bonheur’s Le Marché aux Chevaux finished in France in 1855.)

(1856 Sheep in the Highlands by Rosa Bonheur, most likely painted in France like many of her works, but that is unconfirmed.)

            Although I prefer other artistic styles over Impressionism, I still do admire some Impressionist artworks.  My favorite is one of Claude Monet’s paintings.  I find many of his works less visually appealing to me though.  It looks too blotchy and smeared and I prefer a cleaner look in paintings.  A couple of his works I appreciate despite the more unreal look, such as The Cliff at Étretat after the Storm and Woman with a Parasol. 

 

(This is Monet’s 1885 work painted in France and titled The Cliff at Étretat after the Storm.  It is so rich in its layout and colors and it does not look like other Impressionist works to me that have overly blotchy brushstrokes.)

(Monet’s Woman with a Parasol, 1875.  I love the layout and viewpoint seen in this painting.  I also enjoy the colors, lighting and clouds because they work well with the fine, but noticeable brushstrokes.)

Sources of information and pictures:

http://en.wikipedia.org/wiki/Impressionism

http://en.wikipedia.org/wiki/Rosa_Bonheur

http://www.oceansbridge.com/oil-paintings/product/73040/sheepinthehighlands1856

http://ezinearticles.com/?Her-Most-Famous-Painting—Ploughing-in-the-Nivernais—Rosa-Bonheur&id=2927685

http://en.wikipedia.org/wiki/Leonardo_da_Vinci

Beethoven’s Piano Sonata No. 14

http://www.youtube.com/watch?v=c0WMYCtOqeU&feature=fvst

beethoven by ~unknownart1 on deviantART

Ludwig Van Beethoven’s Moonlight Symphony is by far my favorite work of its time.  It has such a somber, dramatic grace to it that draws me in and has me holding onto its every note.  It is formally known as piano sonata #14 and was composed by Beethoven in the year 1801.  Unlike other sonatas, this particular one does not reach the fast music part until its third movement.  Beethoven is said to have dedicated this sonata to be about a love of his, the Countess Giulietta Guicciardi.  The first movement is sad and slow and builds its way into the second movement is less sad but not any more fast.  Finally, the sonata ends in its third movement which is fast, dramatic, and powerful.  The Moonlight Symphony was very popular in its time and still remains one of the most recognized musical works from the Classical Era.  It beauty alone allows it to appeal to a broad spectrum of people.  The middle class loved Beethoven and his works which he published to the public.  Beethoven also remained independent unlike many composers, including Mozart, and because of that they held him in high esteem.  The middle class had taken over the place of the aristocrats and made up a large portion of England’s population which meant that whatever and whomever they approved of would succeed.

http://en.wikipedia.org/wiki/Piano_Sonata_No._14_(Beethoven)

http://www.associatedcontent.com/article/2099687/how_to_play_beethovens_moonlight_sonata.html?cat=33

http://www.all-about-beethoven.com/beethovenrise.html

 

Baroque Era Art: Girl with a Pearl Earring

Patrons of the arts in Holland and Flanders were politicians, religious leaders, trades people and merchants.  Patrons were basically anyone, as the Dutch prided themselves in displaying paintings in their homes and businesses.  The interests from merchants in the arts greatly influenced what was being produced by artists.  Artists created works to be placed on walls in the most simple of places and still life paintings seemed appropriate for that setting.  

The Dutch were well known for their still life paintings which were rich in composition, color, and texture.  Still life paintings can depict anything from a shoe on a table to a person holding a fiddle.  In this case it depicts a girl with a pearl earring.  This particular still life was created by the artist Johannes Vermeer around the year 1660-1670 and is simply titled Girl with a Pearl Earring.  It is not known exactly where this work was painted as little is known about Vermeer.  However, he was born and died in Delft, a place located in what is now called the Netherlands.  It is very possible that he also painted many of his works there as well.   

The Girl with a Pearl Earring represents the ideals of good art in the Baroque time period.  In fact, the origin of the word “Baroque” actually means “a pearl of irregular form.”  Baroque artists tried to capture the spirit/personality of the individuals painted and Vermeer accomplished that endeavor quite well.  You can sense the girl’s energy as though she were truly alive and right there as she stares back at you. 

http://www.cranfordschools.org

http://www.cartage.org  (Author of article: Blair Palmisono)

The San Marco Altarpiece

Madonna and Saints was created by Fra Angelico around the year 1440 approximately.  It was a work that Cosimo de’ Medici commissioned Angelico to create for The Medici Family.  Madonna and Saints is also referred to as the San Marco Altarpiece.  It displays saints surrounding the Virgin Mary sitting upon a throne while holding Jesus Christ as a child.  There is also a small image of Jesus Christ as an adult crucified with two people at the base of the cross looking up to him.  The painting is one of the more well-known works by Angelico and of that era.  The imagery in Angelico’s Altarpiece is powerful and full of intense religious themes.  I am drawn to the image of Mary holding her child and find the entire work very visually attractive because of its layout and color selection.  Its strong religious themes, symmetry and the perception of depth made it a popular piece of its time and a powerful addition to the church and monastery that the Medici family renovated.  The art is in the form of a tempera on wood and resides in Florence, Italy.
http://en.m.wikipedia.org/wiki/San_Marco_Altarpiece
http://www.wga.hu/frames-e.html?/html/a/angelico/07/index.html